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RICH, REGAL RISOTTO
For years, I avoided making risotto, because every single chef
on TV, and every single cookbook author, made the process seem too
complicated and difficult. It sounded time-consuming and expensive,
and it was almost as if this "risotto cult" existed and
strove to keep the rest of us out.
One year, a client gave me a gift basket that included Arborio
rice. I took that as a sign to make risotto. I skimmed at least
a dozen printed recipes for risotto (no one offered a basic theoretical
recipe; every single recipe was a "specialty risotto")
and synthesized the basics. Lo and behold, my basic risotto recipe
was easy and delicious ... it was Simple! Sensible! Sensational!®
I have tweaked it over the years, keeping some of the traditional
elements, and adapting others. I love to experiment with risotto,
particular in the autumn and winter when risotto makes a hearty
(and tasty!) lunch or dinner (because it's done on the stove, risotto
also makes a great late spring or summer dish, in order to take
advantage of the abundance of seasonal produce). Did you know that
risotto also freezes quite well, with only a slight loss of texture?
It sure does!
Here is that simple basic version followed by a discussion of its
components and many ideas for variations.
Basic Risotto
- 1 c risotto rice (see discussion below)
- ½ to 1 c dry wine (your choice of
color and volume)
- 1/4 c olive oil
- 1 small onion, diced finely (about ½
c)
- 2 T salt
- about 25 grinds black pepper
- at least 5 c well-flavored and well-seasoned
stock (see discussion below)
- 1 c grated hard cheese
- 1 T butter (optional)
- 1 T vinegar (red wine or balsamic) or lemon
(or other citrus) juice
- up to 2 c "add-ins" (see discussion
below)
In a one-quart saucepan, heat the stock to a simmer. While stock
is heating, place the olive oil in a separate one-quart saucepan
over medium high heat. When hot, add the onions, and sauté
until the onions are translucent. Add the rice and salt, and stir
to coat with oil. Continue cooking and stirring until rice becomes
white and opaque (the onion may caramelize a bit by this time, and
that adds another dimension of flavor). Add the wine, and stir until
it is absorbed by the rice; you will notice the wine becoming cloudy,
as starch is knocked off the rice by the stirring, which is what
risotto technique is all about, generating creaminess from knocked
off starch particles. Start adding the simmering stock in about
½ c increments using a ladle, stirring the stock and rice
mixture with a large spoon until the grains absorb the stock. When
the rice is almost dry, add another ladleful of stock, and continue
stirring. When the stock is about 3/4 gone, taste the risotto to
determine how much more stock, stirring and cooking are needed;
the grains should be soft with a resistant interior, which usually
takes about 30 minutes. Keep adding stock until that texture is
achieved. In addition to rice texture, the overall risotto texture
is an important variable. Some people like it relatively dry and
stiff, while others like it loose and soupy; there is no right or
wrong, but I admit that when I stop the cooking, I like it to be
just a bit soupy so that I can easily add the additional ingredients,
as well as enjoy the creaminess that characterizes really well-prepared
risotto. So, when you've achieved the proper rice and risotto textures,
turn off the heat, add the butter (if using; this process is called
"mounting" the risotto), pepper, cheese, and vinegar,
and stir to integrate. Serve immediately, with additional cheese
grated on top if desired.
If you need to step away briefly during the stirring process, that's
OK. However, you don't want to abandon the risotto, because you
are cooking on medium high heat (it might burn), plus, as I wrote
above, it is the stirring that creates that creamy consistency that
everyone loves. I've also read caveats about not adding "too
much" stock at one time. That's relative, as I've added an
entire cup at a time without problems, but it is important to keep
the grains from swimming so that they can abrade against one another
in order to knock off bits of starch to create the creaminess.
Now let's look at each component, and its variations. The number
one key to successful risotto is to make sure that each component
has as much flavor as possible individually, so that when combined,
the resulting risotto will be truly flavorful. You can have so much
fun experimenting with different combinations, and now that you
see how easy risotto can be, you won't be scared to create your
own combinations.
Rice: Traditionally, Arborio or
Carnaroli rice is used in Italian risottos. These are pricey ingredients,
and I'm always on the lookout to find reasonable substitutes for
pricey ingredients. I believe I have found a suitable substitute
in medium grain white rice. Available for a fraction of the cost,
medium grain rice will produce the creaminess that is so desired
very well. The final version doesn't really have the "tooth"
that traditional risotto has, but that's a small trade-off.
Wine: Whenever you see someone
demonstrate risotto preparation, there is an emphasis to "only
use wine that you would drink." I've said this before, but
it's time for a reminder. This warning originally related to a Prohibition
era product called "cooking wine," which was real wine
that had been heavily salted to prohibit drinking it. Once Prohibition
was lifted, real wine could be used in cooking, and professional
chefs and cooking instructors were zealous in discouraging the use
of cooking wine, as it throw off the salt balance of a recipe. These
days, cooking demonstrators employ the "only use wine that
you would drink" to encourage the use of top quality wines.
This does a great disservice to both the fine wine, and the home
cook who may not have the financial means to dump a volume of fine
wine into a recipe. When cooking something like risotto, with its
myriad flavor components, the subtle qualities of a fine wine will
be lost, so there's no point in using it. I use inexpensive jug
wines for my risottos and other cooking, and I encourage you to
do the same; they have the appropriate base flavor, and even add
a hint of sweetness sometimes that is undetectable in the final
dish, but which rounds out the entire flavor profile. I also use
both red and white wines when making risotto; dry white wine is
traditional, but my experimentation has show that a dry red is a
great addition to certain types of risotto. As a side note, be aware
that Marcella Hazan, the doyenne of Italian cooking, does not use
wine in her risotto recipes.
Oil: Butter is usually used in
traditional risottos. Some authors encourage using vegetable oil.
I prefer olive oil because of its flavor. As with the wine, there's
no need to use a top quality extra-virgin olive oil, as the subtleties
will be lost. I use an affordable virgin or extra virgin olive oil
for most cooking, including making risotto.
Onion: I usually use yellow onions,
because they are always on hand, and have a nice sharp flavor that
accentuates the dish. You can use any type of onion that you have
available, be it red or white or yellow, or Maui or Vidalia, or
scallions, or shallots, or leeks, or try using fennel for a truly
unusual risotto.
Stock: I have used all kinds of
stock when making risotto: beef, pork, chicken, duck, fish, salmon,
even vegetable. Just make sure that your stock is well-flavored
(properly salted and seasoned), so that it tastes good all by itself.
If the stock isn't stellar, the risotto will be a dud. I always
use homemade stock (which can be made ahead of time and frozen),
so that I can brown the bones or vegetables first before adding
the water, which creates a whole new dimension of flavor. Recently,
I created an entirely vegan risotto using a very intense brew of
rooibos (red tea, from South Africa); the result, with maitake mushrooms,
was rich, deep and luxuriant. I haven't tried other teas, but there's
no reason you couldn't experiment with them. I also want to comment
on the volume of stock. I wrote above that risotto should retain
a firm interior to each grain of rice (al dente). However, whenever
I present al dente risotto to guests, they complain about the firm
center. So, I have increased the volume of stock in order to soften
the interior more than al dente.
Cheese: All classic risottos are
made with Parmigiano reggiano. A less-distinguished parmesan can
be used. I usually use pecorino romano. Asiago will work. So will
any other hard grating cheese. You can experiment with other cheeses
if you like; I've added fresh goat cheese with tremendous success
Vinegar/Citrus: First, let me emphasize
that you will NEVER find this addition in a traditional Italian
risotto. But, I can assure you that this flavor component takes
risotto to a whole new level. The wine added at the beginning adds
a slight "sharpness" initially, but that mellows during
the preparation of the risotto. A dinner guest once suggested that
my roasted duck and squash risotto, while delicious, had only a
single "note." I countered by adding a slosh of balsamico
(industriale grade, the cheap commercial stuff), and it put the
dish over the top! This is why I do "guinea pig" dinners
for friends
feedback can enhance creativity! Now I always
add vinegar or citrus at the very end of preparing a risotto
and it's always over the top!
"Add Ins": This is a
sloppy category, both in name and practice. You can add ANYTHING
to a risotto. It's a great way to use leftovers. One cup of add-ins
is usually sufficient, but two cups creates a heartier, and chunkier,
dish. I prefer to avoid raw ingredients (except for seafood, which
must be added raw, except scallops
see discussion below),
because it's so difficult to coordinate cooking the add-in with
the cooking of the rice; I cook the add-ins to their peak flavor
preparation level, including making sure they are in bite-size pieces,
and add them when the risotto is almost done, just to heat them
up (and that's when you add the seafood, as well, so that it is
just barely cooked). Great additions to risotto are: sautéed
or roasted mushrooms (white, crimini, morels, chanterelles, maitake,
or your favorite), roasted veggies (squash, sweet potatoes, red
peppers, beets, garlic, onions, fennel, or your favorite), sautéed
vegetables (broccoli, leeks, bell peppers, or your favorite), poultry
(well-cooked and/or leftover chicken, turkey, duck, etc.), seafood
(shrimp, squid, salmon, halibut, lobster, or your favorite; scallops
don't work very well unless seared prior to adding; avoid canned
tuna or anchovies, as they prove too fishy), or meat (your favorite
cooked meat, whether a roast, or braised short ribs, or cubed pan-seared
chops, or crumbled bacon, or bitesized cooked prosciutto, pancetta,
or salami, or another favorite). The possibilities are endless.
Other flavorings: If you like,
you can add herbs and spices. For example there is the classic Italian
Risotto alla Milanese. It comes in hundreds of variations, but the
upshot is to add about 1/8 mounded teaspoon of saffron threads (crumbled)
into the basic risotto above about midway through the addition of
stock. That allows the saffron to flavor the entire dish, but doesn't
allow time for the flavor to fade. You might add some nutmeg if
you are using roasted squash, pumpkin or sweet potatoes. Thyme and/or
rosemary are nice with roasted/sautéed mushrooms. A cup of
raw arugula or ½ c of torn fresh basil is also nice. I don't
see a need for other herbs or spices, but if you want to add them,
go for it.
Variations:
Here I'm sharing just a few particularly successful combinations
of ingredients:
- Shrimp and red wine
(2 c shrimp)
- Shrimp, red wine and chanterelles (1.5 c
shrimp, ½ c chanterelles)
- Sauteed maitake and balsamico (2 c maitake
with 1 T balsamico)
- Roasted duck and roasted acorn squash (1
c of each)
- Roasted duck and sautéed chanterelles
(1.5 c duck with ½ c chanterelles)
- Shrimp and sautéed chanterelles (1
c shrimp with 1 c chanterelles)
- Shrimp with roasted hubbard squash (1 c shrimp
with 1 c squash)
Applications:
Use risotto as a base for pan-seared salmon (or other fish/seafood),
or osso bucco (Risotto alla Milanese is the classic accompaniment
here) or Italian pot roast, or prime rib, or roast pork, or even
a mixture of roasted veggies or your favorite marinara or Bolognese
sauce.
As you can see in the Variations section, I love shrimp risotto,
especially with red wine. It was an unusual discovery of deliciousness.
THAT is the take-home message: experiment! Once you have the basic
risotto technique down, try adding all sorts of ingredients. This
is where the art of risotto merges with the science of technique.
Let me know about your risotto efforts. I'd love to hear about
your own combinations of ingredients. Experimentation is exciting,
and I thrive on hearing about other's experiments. If you need some
more guidance, I can be booked via 773.508.9208
or bret@god-dess.com.
Now go out and master this rich, regal risotto!
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